Thursday, January 26, 2023

Whither -- or Wither -- San Francisco

Government action and the reaction:

No major American city has failed at the same level as Detroit, whose population dropped from 1.85 million people in 1950 to about 630,000 today. Move over Detroit, here comes San Francisco, which lost 6.3 percent of its population between 2019 and 2021, a rate of decline larger than any two year-period in Detroit’s history and unprecedented among any major US city.
In 1964 the Democrats put the Model City Program in place. It was meant to show what innovative government programs could accomplish. Detroit was a model city. A lot of Federal money and "help" for Community Action went into Detroit. The 1967 riots -- a type of community action -- followed. Those who sponsored the Community Action then wrote a report blaming the results on systematic racism (other people's systematic racism, of course).

It's the model for Democrat Party governance they've followed ever since -- blame everyone else for your screw-ups. Comparing dynamic Detroit in 1960 with its current husk, to sleepy D.C. then with its bustling (and budget-busting) "farms into office-parks" present, explains why this approach -- an apparent failure for ordinary Americans of every color and belief -- persists.

https://www.hoover.org/research/san-francisco-falls-abyss

Wednesday, January 18, 2023

Under-Whelma, Velma

I said of Prime Video's The Lord of the Rings: The Rings of Power that it was a bad, expensive flop but not horrible. I suggested ROP was less-than-horrible because I watched every episode and was mindful of the old joke that "the food was awful and the portions were small." However, unlike some Youtube critics, I'm not hoping for a season two.

But as regards HBO's Velma, I suffer no such constraints. The tale is told from Velma's perspective and she revealed herself to be such a horrible person that 15 minutes into ep-one I determined she really was the murderer and, the case being solved, I stopped watching. But I will applaud the show's premise that not all persons of the non-binary persuasion are good.

Velma takes a cartoon character aimed at children and repackages her story for adults between the ages of thirteen-and-a-half and fourteen. With the exception of mainstream media movie critics, everyone else pretty much hated it. We can only hope that HBO cancels the plans for a Pornographic Bugs Bunny Show. Yes, I am aware that Bugs once dressed in drag and kissed Yosemite Sam but dammit, they didn't go steady.

Monday, January 16, 2023

The Last of Us, Episode One

First, I'm not familiar with the video-game, but I knew HBO's The Last of Us had Zombies, though I expected more -- more monsters and more action. However, talking in hallways with guns does work better than just talking in hallways.

The opening scene -- where the coming Fungal Apopocalypse is blamed on Global Warming -- succeeded in lowering my expectations (I'd have gone with an escaped pathogen from Dr. Anthony Fauci's basement lab -- after consulting legal counsel, of course). I'm glad I hung around for Depeche Mode's "Ride with my Best Friend" over the end credits.

Though I enjoyed the extended normal-life setup that followed the opening obligatory lecture, it should have been half as long with twice the ominous overtones. I assumed the delightful and precocious daughter was 14 or 15, so her picking up much of the household burden while Joel, her dad, operated a small business was OK. That doesn't work for a twelve-year-old -- apparently her age in the video game. I did not know she would die in the first episode, so, surprise! I enjoyed the panic, mayhem, and death caused by the sudden onset of the disease. Does that make me a bad person?

Fast forward twenty years and Joel is in a walled-off portion of Boston overrun by "girl bosses" within and zombies without. Given that it's Boston, the superfluidity of girl bosses makes sense. We don't see many zombies but I assume they are the bigger threat. How Joel got to Boston without the help of his daughter isn't explained. Joel isn't exactly "Pale Rider," but nonetheless Tess, his significant other and immediate supervisor, compares him to Clint Eastwood. Still, he has room to grow (or shrink) -- if he can escape the ever-present, domineering forces of the matriarchy. Given that Elle, the young girl he is supposed to accompany on her cross-country journey, is an alpha-diva aspiring girl boss, his chances don't look good. I thought there would be a threat from airborne spores since a fungal infection is the cause of this worldwide distress. However, when they came across a human victim "molded" to the wall in the abandoned Boston subway, I was surprised by how casually they treated the danger. They even seemed to step on some of the protruding growth.

Overall, I thought the first episode was good but could have been better with mo'violence. They showed the bloody aftermath of one violent fight. Why not show the fight? The series is, after all, based on a shooter game -- unless it was a feminist consciousness-raising effort that I thought was a shooter game.

Friday, December 23, 2022

Hollywood has lost the plot...


...and substituted a conspiracy.

In a comment on Disparu's youtube channel, I made the mistake of comparing Amazon's The Lord of the Rings: The Rings of Power to a low-budget Xena, Warrior Princess that could have used a Lucy Lawless in the lead. Understandably, that really upset the Xena, Warrior Princess fans, and maybe Lucy Lawless as well. I should say I was impressed with the range Lawless displayed as an actor in Eurotrip. She's New Zealand raised but made a convincing Dutch Dominatrix.

I also said that if you ignore what The Rings of Power did to Tolkien (which might constitute felony murder were he still alive), it was not a horrible show.  This, too, was a controversial statement, with others claiming it was clearly horrendous and how could I possibly think otherwise? However, my reasoning here was quite simple: if it's horrible, and I watched every episode, what does that say about me? Rather than stare into that particular abyss, I decided it was a bad, expensive flop -- that if they were trying to make it horrible (a possibility), they hadn't quite succeeded.

Expensive flops are nothing new for Hollywood, but these days a creative mess isn't allowed to sink into the obscurity it deserves. Hollywood now sees itself as the declining Rome of the Entertainment World, offering treasures for protection to a barbarian horde outside its walls, only to anger and whet the appetites of others. It's entered the realm of politics which, these days, is not just "a house divided against itself," but an old mansion where it's every room, closet, and cubbyhole for itself (and don't leave out the servants' quarters). As a result, Hollywood doesn't know whether to fight, flee, or fortify.

Politics has always played a role but it wasn't of paramount importance at Paramount or universally agreed upon at Universal or really dizzy at Disney -- or, for that matter, the lead actor in acting. Left-leaning filmmakers could make a conservative-themed movie and a conservative executive might green-light a left-wing consciousness-raising effort. In the last decade, consciousness-raising has taken over (Hollywood, having found its religion, won't shut up about it).

Recently, I rewatched The Hunger Games and wondered if these days the people making it would have more sympathy for the Capital -- the ignorant folks in the districts just don't understand the problems the experts face just keeping things together! Meanwhile, Indigenous Activists complain about the portrayal of the indigenous inhabitants of an alien planet in the Avatar sequel. Using their criteria, every human should boycott that film. In fact, that's what I'm doing -- until it makes it to Tubi, at least.

My advice to Hollywood is to get on "The Right-Side of Story-Telling" and forget about history (which they find an easy task in the movies they make).

Friday, December 16, 2022

Rob-Boy

With great elan, I announce that my nominee for Robber Baron of the Year (The Rob-Boy award) is that media darling who so quickly turned dirt-bag: Elon! He will play himself in the movie. The tagline will be "Elon Musk is Elon Musk." Not satisfied with taking up space in Silicon Valley, he decided to take up space (at an accelerated pace) in Texas.

Some might claim the honor should go to Sam Banker-Man Freed (freed is what I suspect he will be when the Democrats see how damaging a trial could be -- or he could just be suicided). In any case, Sam Bankman Fried was just a fraud and there are plenty of those around.

Are the Silicon Valley fraudsters today's robber barons?

Monday, December 12, 2022

Let's face it, we're all skewed.

In tenth grade, I was a socialist and told my friends I was a socialist. My reasoning was simple: socialists are good people who want the best life for other people and I was just such a person and therefore a socialist.  Meanwhile, all those folks around me who were not socialists meant that much future missionary work remained.

Then one day, while in study hall staring out the window, I had a thought that was potentially detrimental to my socialist beliefs. The thought itself is less important than my reaction to it. I tried to swat it like it was some buzzing, stinging insect that should be quickly crushed. The reaction seemed almost instinctual. A bit surprised, I then had a couple of thoughts about that thought. First, given my strong belief that the entire world should be organized on the principles of Socialism, it might be a good idea to think the matter through. Second, having attended parochial school, I recognized the impulse toward my own thought suppression. Occasionally, I would question the divinity of Christ or the Virgin Birth and suppress these thoughts because there was that whole damnation thing to worry about. Of course, the divinity of Christ deals with questions beyond the material realm.  Socialism, however, is all about the material realm.

So I hopped on the train of thought that eventually undermined my faith in socialism. At the same time, I thought about my reluctance to get on board. I decided my self-identification as a Socialist had a lot to do with it.  This was sixty years ago and at the time my political identification was of only a few months duration so, who knows, with a few more months of self-inoculation against contrary thoughts I might have become Bernie Sanders.

Still, we can't question everything and, given that reality, accepting received wisdom is useful. At the same time, I've noticed over the years that most individuals who are hyper-critical of the status quo treat their ideas for sweeping, transformational change, as a matter of faith. National interest was often equated with imperialism and opposed. True American patriotism, in their telling, demands loyalty to an improved nation that we can build using a blueprint that no one quite has access to. Also, holding distinctly contradictory opinions -- being for hydropower one minute and against that damn dam the next -- is a side-effect. Interestingly, these same individuals were often quite conservative -- imperialist, even -- where their personal life was concerned.

If I asked an awkward question, the topic would suddenly change. During a conversation, I might point out that a failure to act in the national interest will only cause confusion among foreign nations, and make our own actions less predictable. Then I would say (after the topic was changed) that segregation was a government program aimed at social planning (in a "careful about what you wish for" sort of way). The nuclear power industry they now oppose was created by the federal government, using the expertise of government scientists and the output of government labs. Politicians promised energy so abundant that it would no longer need to be metered. Unmentioned was the highly toxic nuclear "waste" plutonium the reactors would produce -- handy for H-bomb building and powering aircraft carrier battle groups. The utility executives The China Syndrome portrayed as endangering the entire planet were basically doing what they were told. So, designing our green energy future using the same approach may produce a result different from the one envisioned. After all, a million windmills draining energy from the atmosphere could also change the climate.

The reluctance to question socially acquired beliefs may be a good thing on an individual basis since we have to take much on faith as a practical matter.  Lately, it's become a strong -- perhaps even dominant -- social force tangled up with politics and used in the allocation of vast sums of government resources. As a result, we shall choose our next future exercising less care than when we chose our last phone.

The unexamined Utopia is not worth pursuing.

Bjorn Lomborg Declares “False Alarm” on Climate Hysteria

Monday, December 5, 2022

Marvel wonders where the marvel went

Many fans of established franchises such as Star Wars and Lord of the Rings are bewildered by the radical change in direction taken by the new owners of these IPs.  They watch a favorite white male heterosexual character reemerge as a black female gay character and wonder: what is the point? It appears that one person's "retconning" is another person's wrecking.

When an aggressive civilization conquers another they will typically take over important cultural sites of the conquered people and put their own important symbols there. The Christians turned the pagan Pantheon in Rome into a Christian cathedral. The Hagia Sophia started as a Christian church in Constantinople and became a Grand Mosque in Istanbul.

These actions show the conquered who's in charge and help identify the remaining objectors for future cancelation. This is what happened when the imperial Romans placed a statue of the Emperor in the Second Temple in Jerusalem and "encouraged" the inhabitants to make offerings. The resulting fuss is best described by that old Latin saying, "They made a desert and called it peace."

So Super Hero fans might complain that those who have conquered Hollywood should create new characters embodying the cultural traits they wish to emerge triumphant and leave the formerly established icons alone (that would make good business sense!). However, that would miss the point. Conquest is not about making money, it is about taking control and rubbing "their" noses in it. The money and prestige come after. So perhaps our new cultural overlords will create a cultural desert and call it peace while forcing the doubters to agree. Or perhaps they will find their actions were premature and those whose noses are now out-of-joint are too formidable to contend with. Stay tuned.